This initial success paved the way for her subsequent albums and chart-topping singles, solidifying her status as a pop powerhouse. Just months later, Rihanna released her first single, “Pon de Replay,” which quickly climbed the charts and established her as a formidable newcomer in pop music. The pop star has an impressive 64 songs on the Billboard Hot 100 chart, including 14 No. 1 hits and 32 tracks in the top 10.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
Although Jay-Z initially thought “Pon de Replay” was too big for a new artist, he invited her to audition. Rihanna’s demo was sent to rapper Jay-Z, who had just become the president and CEO of the record label Def Jam Recordings. In 2005, she became the first artist to sign with Syndicated Rhythm Productions, the production company founded by Rogers and Carl Sturken. Unnamed and without original material, the girl group auditioned for American producer Evan Rogers, who recalled that “the minute Rihanna walked into the room, it was like the other two girls didn’t exist”. Though she initially planned to finish high school, she ultimately dropped out at age 16 to pursue a music career. Signed to Def Jam Recordings, she debuted with the Caribbean-inspired records Music of the Sun (2005) and A Girl Like Me (2006), both of which reached the top ten of the US Billboard 200.
- Rihanna went on to collaborate with numerous fashion houses, including Dior, Stance, and Manolo Blahnik.
- But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018.
- In addition to her chart-topping hits, Rihanna has capitalized on her fame with lucrative endorsement deals and her own successful brands, including Fenty Beauty, which revolutionized the beauty industry with its inclusive products.
- To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
- The case garnered widespread media attention, particularly after TMZ published a leaked police photograph showing Rihanna with visible injuries.
Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
And in true Swiftian fashion, turning into a pop artist didn’t just prove her genre-shapeshifting capabilities — it further solidified her as an artist who is at her best when she freely creates to her desires and refuses to adhere to anyone. After years of identifying as a country artist and flirting with pop, Swift departed her roots to reinvent herself, no matter what her then-label or critics had to say. On Red, Swift focused on emotions evoked from a hot-and-cold relationship, one that forced her to experience “intense love, intense frustration, jealousy and confusion” — all feelings that she’d describe as “red.”
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Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for “Umbrella”) and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy “Rehab” is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP’s juggernaut lead single “Umbrella” featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.
The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
The lead single, “Work”, topped the US Billboard Hot 100 chart, with the third and fourth singles, “Needed Me” and “Love on the Brain”, peaking within the top ten. With an eclectic blend of genres such as pop, dancehall, and psychedelic soul, Anti peaked at number one on the Billboard 200, marking her second chart-topping record in the US. It spent ten non-consecutive weeks at number one on the Billboard Hot 100, making it both Rihanna’s longest-running chart-topping single and the longest-running number one song in the US in 2011. To support the album, Rihanna launched the Loud Tour in June 2011, which included a record-breaking ten sold-out shows at The O2 Arena in London—the most by a female artist in the venue’s history.
She formed a girl group with two classmates; when they were 15 years old, they scored an audition with music producer Evan Rodgers, who was visiting the island with his Barbadian wife. She is also a businesswoman who owns multiple ventures, including the popular cosmetics line Fenty Beauty and the lingerie brand Savage X Fenty. For her work on the single, Rihanna received her first Academy Award nomination, for best original song. Rihanna began working on a new record, but the project was delayed as she took a break from music.
- “Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful.
- “I just couldn’t take no more. I just say it’s time for me to be compensated, and I just did what I had to do,” the icon says of her legal battle for royalties.
- Rihanna became the youngest and fastest solo artist in Billboard Hot 100 history to accumulate ten number-one singles.
- Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger.
- Released on November 20, Rated R marked a shift away from the upbeat sound of Rihanna’s earlier albums, embracing a darker, more introspective tone with rock influences.
- “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
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Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.
Armageddon —her first full-length since 2001’s Sister Nancy Meets Fireproof — was released this summer, seven years after it was recorded with Mad Professor in the U.K. In 2016, Sister Nancy received 10 years of back royalties as well as royalties going forward, which allowed her to retire from the bank and pursue music full time. Like many artists of her era who either had bad contracts or no contract at all, Sister Nancy did not benefit from the popularity of “Bam Bam” for the majority of her career. “And remember, I had songs before that like ‘One, Two’ and ‘Transport Connection’; they were playing, but I didn’t hear ‘Bam Bam’ until I come to the U.S.” Yet the song made its way to the States, where it found popularity in New York, New Jersey and Connecticut’s Caribbean diaspora and caught the ear of hip-hop innovators of the ’80s. She recorded the early dancehall anthem in 1982 when she was just 20 years old as a last-minute addition to her debut album, One, Two.
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Lead single “We Found Love” is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for “Home,” a 2015 film she starred in alongside the “Big Bang Theory” star Jim Parsons.
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Following the career-pivoting Rated R, 2010’s Loud offered a welcome return to the West Indian artist’s earlier sound. Rated R showcased Rihanna’s undeniable star power, and allowed her to shed her good-girl image once and for all. Badgal RiRi returned to her dancehall roots on her fifth No. 1 “Rude Boy,” which offsets the album’s harrowing motif. The singer had grown in leaps and bounds while taking musical risks, even penning nine of Rated R’s 13 tracks (she had no writing credits on Good Girl Gone Bad). Following three multi-platinum albums in a three-year span, Rihanna’s rebranding as a rebel at heart reached its apex.
And Eminem that appeared on albums of theirs; many felt her vocals on the latter’s “Love the Way You Lie” (2010) lent resonance to the song’s depiction of an abusive relationship. With the assistance of such high-profile collaborators as Timbaland and Justin Timberlake, she abandoned the tropical rhythms that had adorned her first two albums and recorded a collection of sleek R&B that presented her as a fiercely independent and rebellious woman. He helped Fenty record a demo that led to an audition with the rapper Jay-Z, who at the time headed the Def Jam record label, and he soon signed the budding vocalist. Rihanna exclusively uses her surname for ventures outside of music to keep her business and artistic identities separate. In November 2015, Rihanna partnered with Benoit Demouy to launch Fr8me, a Los Angeles-based beauty and stylist agency supporting artists with commercial bookings, photo shoots, campaigns, and red-carpet appearances. In March 2015, Rihanna was announced as a co-owner of the music streaming platform Tidal, alongside several other artists.
Through her fashion ventures, Rihanna has become one of the wealthiest musicians; in 2021, she became the richest female musician at the time, with a net worth of $1.7 billion. Around the time of her second album A Girl Like Me (2006), critics often compared her style and sound to that of Beyoncé. She credits that song with sparking her passion for music and partly attributes her presence in the industry to Houston. She also mentioned that one of the earliest songs she developed an affection for was Houston’s rendition of “I Will Always Love You” (1992). As a child, she sang Whitney Houston songs and “A Whole New World” (1992) into her hairbrush so frequently that her neighbors started calling her “Robyn Redbreast”. She deemed him one of her all-time favourite artists, crediting him with “paving the way for every other artist out of the Caribbean”.
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Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights. The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top betista casino of the chart. Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.
True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
No matter what genre Rihanna touches or what artist she links up with, she brings her full self to each session whilst completely immersing herself into the music — taking on different personas to make the collab well worth it. Amid smash collabs, Rihanna and Coldplay’s intricate “Princess of China” number gets lost in the shuffle, but it speaks to her charm as it’s the band’s first album (2011’s Mylo Xyloto) to feature another artist. The one-off single is so quintessentially Rihanna that it notably kicked off her Super Bowl halftime show.